Fellow crime writer and aficionado Margot Kinberg read my review of Brotherhood at Punk Noir magazine the other day and it set her thinking. In particular, the bit where I mention my theory that US drama tends to be morally ‘cut and dried’, whereas the British equivalent is more ambivalent.
I’m the first to admit that the statement is a. only my opinion and b. a shocking generalisation! It’s also probably more appropriate to film and TV than to books, which tend to have more space to develop their characters and plot lines. But Margot has brought her encyclopaedic knowledge of crime writing to bear on the subject, and come up with an excellently-researched blog post of her own, liberally illustrated with examples.
It makes for fascinating reading, and is much more well argued than my original blog post ever was. So do go and see what she has to say on the whole subject, and whether she agrees with me or not (I’m taking the fifth on that one, but it seems to have generated some healthy debate). I’m delighted that my wafflings sparked her, er, little grey cells into action.